This is just lovely. I had to copy and paste it here.
Bill Murray interviewed in The New York Times.
Q. There seems to be so much serendipity in your life. Are you actively cultivating these moments or just hoping that they come to you?
A. Well, you have to hope that they happen to you. That’s Pandora’s box, right? She opens up the box, and all the nightmares fly out. And slams the lid shut, like, “Oops,” and opens it one more time, and hope pops out of the box. That’s the only thing we really, surely have, is hope. You hope that you can be alive, that things will happen to you that you’ll actually witness, that you’ll participate in. Rather than life just rolling over you, and you wake up and it’s Thursday, and what happened to Monday? Whatever the best part of my life has been, has been as a result of that remembering.
Q. Are there days where you wake up and think: “Nothing good has come to me in a little while. I’d better prime the pump”?
A. Well, who hasn’t woken up thinking, “God, nothing good has come to me in a while,” right? When I feel like I’m stuck, I do something — not like I’m Mother Teresa or anything, but there’s someone that’s forgotten about in your life, all the time. Someone that could use an “Attaboy” or a “How you doin’ out there.” It’s that sort of scene, that remembering that we die alone. We’re born alone. We do need each other. It’s lonely to really effectively live your life, and anyone you can get help from or give help to, that’s part of your obligation.
Q. The roles that you did 10, 20, 30 years ago, are you surprised that they still endure the way they do?
A. Certainly. When you did the job, you thought you were just trying to amuse your friends who are all on the job. I’m just trying to make the sound guy laugh, the script supervisor. A movie like “Caddyshack,” I can walk on a golf course, and some guy will be screaming entire scenes at me and expecting me to do it word for word with him. It’s like: “Fella, I did that once. I improvised that scene. I don’t remember how it goes.” But I’m charmed by it. I’m not like, “Hey, knock it off.” It’s kind of cool.
Q. Did you ever think that the lessons you first learned on the stage of an improv comedy theater in Chicago would pay off later in life?
A. It pays off in your life when you’re in an elevator and people are uncomfortable. You can just say, “That’s a beautiful scarf.” It’s just thinking about making someone else feel comfortable. You don’t worry about yourself, because we’re vibrating together. If I can make yours just a little bit groovier, it’ll affect me. It comes back, somehow.